International dancehall powerhouse Konshens is back with Pool Party, his fifth studio album and a bold, infectious celebration of freedom, resilience, and the evolution of Caribbean music. Released today via Submachine Entertainment/FTS Global Management/ADA Worldwide, the 15-track project is a vibrant fusion of dancehall, hip-hop, Afrobeat, and club anthems, expertly crafted to move both body and spirit.
Following a period of introspection and transformation, Konshens returns with a potent message: joy is revolutionary. “Pool Party is about reclaiming happiness—even when the world feels heavy,” says the Kingston-born superstar. “I’ve lived through some dark times, but music has always been my way back to life. This album is my light—and I’m sharing it with the world.”
The project opens with “Our Father,” a hauntingly honest prayer that sets a spiritual tone before diving into tracks that sizzle with raw energy and attitude. Konshens enlists a global slate of collaborators, including Skillibeng, Charly Blacks, Eric Bellinger, Moyann, Dyani, comedian-turned-musician Lil Duval, and West Coast rap icon The Game, creating a genre-defying album packed with flavour and fire.

The album’s range is on full display with its standout tracks. “Bend” finds Konshens trading gritty, bass-heavy bars with Skillibeng, bridging old-school deejay energy with modern swagger. On “Battlezone,” he enters a lyrical face-off with The Game, layering tales of survival and success with West Coast grit. The project shifts to a seductive, radio-ready slow wine on “Rich Sex,” a collaboration with Eric Bellinger and Moyann built for late-night playlists. And with the Charly Blacks-assisted “Gyal Time Again,” Konshens delivers a party-starter destined to dominate dance floors across the Caribbean and beyond.
From deep reflection to explosive dancehall vibes, Pool Party showcases Konshens’ growth as a man, a lyricist, and a global artist. Whether you’re soaking up the sun or sweating it out in the club, this album offers a rhythm for every moment.



