The gears of time stopped as patrons passed through the gates of the Lost In Time Festival into a land of art and culture where reggae and music reigned supreme. Once again, Lost In Time created an unforgettable experience, using various art forms and local talents to craft a journey through the rich tapestry of reggae culture. On only its second staging, it’s already a calendar event for many, and we will tell you why as we review the Lost In Time Festival.
Lost In Time welcomes the genre’s modern development and features a wide range of performers from all styles and subgenres of the genre. Some things remained the same, such as the venue in Hope Gardens, nestled among the greenery of Kingston, Jamaica, the capital of reggae music. This location was ideal for a day of community, music, and culture. The grounds of the festival were filled with many stages, art installations, and vendor booths, encouraging spectators to wander and take in the lively environment. From energetic disc jockey performances to engaging live music, Lost In Time served as a mystical musical wonderland into the night.
Of course, the main attraction of the Lost In Time festival was its stellar lineup. The festival featured a masterful blend of upcoming and accomplished disc jockeys and artists alike. This served as a platform for your favorite talents at various stages of their careers. Also, repeat patrons knew that the Lost In Time Festival was sure to have surprises, as last year reggae artist Chronixx made a rare appearance alongside many others. This year was no different as the stages of Lost In Time hosted talents not only from the reggae genre but also from the whole culture, with many dancehall acts introduced. Artists at the top of their game, like Romain Virgo, Govana, Mortimer, Valiant, Jashii, African artist Stonebwoy, and last but not least, Masicka, to name a few.
The approach to the headliners’ performances was different this year, as the sets of Jesse Royal, Protoje, and Lila Ike were intertwined, which proved to be a fun interactive set. It did not have the usual coordination you are accustomed to in the sets of top acts; however, this proved to be a very interactive and natural session for themselves and their audience, as the smiles and interactions between artists showed their relationships at play, which for fans was a wholesome experience.
“Exceptional vibes,” said Jesse Royal as he commented on his time on stage at the festival. “This is something that is very necessary for Jamaica. Remember, this is the home of reggae music, and that cannot be replaced,” he continued, also stating that the festival is presenting the culture as it should be showcased. Another entertainer who shared those views was DJ Franco, who stated that it was something well-needed on the island.
“This is my second year at Lost In Time; it’s a well-executed festival of which I’m proud of Protoje and the team,” said Franco. “I enjoyed playing different types of music and how receptive the crowd was to reggae and afrobeats,” Franco continued.
Lost In Time has already cemented itself as a major event and niche event, as it is well anticipated and received by reggae and art lovers alike. Each staging is looked forward to as soon as one ends, and if that doesn’t prove its place as a calendar event, then what exactly is a calendar event? Lost In Time, or LIT Fest, as it is abbreviated, is a monster that Protoje and his team have created and that he cannot ignore. May the thought of not staging it one year never cross his mind again, and may reggae music play past 12 p.m. Mic drop.
